Canon Eos 6d Mark Ii Video Quality Review
Introduction
The Canon EOS 6D Marking Two is the company's latest full-frame DSLR aimed at advanced amateurs and enthusiasts, and even professionals looking for a second Canon DSLR body. Its all-new 26MP sensor has Dual Pixel technology for accurate autofocus during live view shooting, and it gains the same 45-betoken autofocus system from the crop-sensor EOS 80D for viewfinder shooting. A fully articulating touchscreen, congenital-in Wi-Fi and GPS adequacy, and 6.v fps burst shooting circular out the bundle.
Coming to market over five years after the release of its predecessor, it should come up as no surprise that the 6D Mark II builds upon the original in almost every mode. Resolution, autofocus performance, burst shooting speed, video shooting and even battery life are all improved.
That said, five years is a long time in the digital camera market, and the contest hasn't stood still. Then the question remains: Has the 6D Mark II improved plenty?
Let'due south see if it's all blueish skies from here with the EOS 6D Marking Two. Candy to gustatory modality from Raw. Canon EF 24-105mm F4L II IS USM @ 32mm | ISO 100 | 1/640 sec | F5.6 Photo by Jeff Keller |
Key specifications
- New 26MP CMOS full-frame sensor with Dual Pixel AF
- 1080/60p video capture with in-lens + digital stabilization
- 45-betoken all-cantankerous-type AF system
- Dual Pixel AF for both stills and video capture
- ISO 100-xl,000 (expandable to 102,400)
- 6.v fps continuous shooting (4.5 fps in Live View)
- 3" fully articulating touchscreen
- Wi-Fi w/NFC and Bluetooth
- Congenital-in GPS
The original EOS 6D, along with Nikon's D600, spring-started the notion of an 'entry-level' full frame camera; a camera wherein the true value of the thing lay in the size of the sensor, with a somewhat scaled-back feature set and body surrounding it.
The EOS 6D Mark Two unabashedly follows in its predecessors' footsteps. Its unique, 26MP full frame sensor is wrapped in a fairly plasticky (though still weather sealed) body, and information technology makes do with some compromises compared to its full-frame Canon kin - we should stress, though, that this is to be expected given its substantial $1300 disbelieve compared to the 5D Mark 4.
Compromises should be expected given its $1300 discount compared to the EOS 5D Mark IV.
And the compromises in the 6D Two are largely the aforementioned every bit those fabricated by the 6D before information technology: The larger sensor is offset by a lower-spec autofocus system borrowed from the EOS 80D, a lack of 4K video, and a shutter mechanism that tops out at i/4000 sec, to name a few.
Candy to gustatory modality from Raw. Catechism EF 50mm F1.viii STM | ISO 100 | 1/250 sec | F3.two Photograph by Dan Bracaglia |
But 1 could hands contend that, especially given its price betoken, the 6D Marker Two has a lot to offer. It is smaller and lighter than a 5D IV, its articulating screen makes information technology easier to work at odd angles, and nearly chiefly, it'southward an affordable entry into the world of total-frame Canon glass and increased depth-of-field command compared to similarly priced cameras with smaller APS-C sensors.
Compared
The market for 'affordable' full frame cameras is leagues more than competitive than when the original 6D was released five years agone. We've included the 5D Marker Four for comparative purposes but, as it's targeted at a much higher market place than the 6D Ii.
Canon 6D II | Canon 5D 4 | Nikon D750 | Sony a7 Ii | Pentax Thou-1 | |
---|---|---|---|---|---|
Resolution | 26MP | 30MP | 24MP | 24MP | 36MP |
Image stabilization | Lens-based | Lens-based | Lens-based | In-body | In-trunk |
AF system (viewfinder) | 45-pt all cantankerous-type | 61-pt (41 cross-type) | 51-pt (15 cross-type) | 117-pt hybrid | 33-pt (25 cross-type) |
AF organization (live view) | Dual Pixel AF | Dual Pixel AF | Contrast Find | 117-pt hybrid | Contrast Discover |
Viewfinder | Optical / 98% | Optical / 100% | Optical / 100% | Electronic / 100% | Optical / 100% |
LCD type | three" fully articulating | 3.ii" fixed | 3.2" tilting | 3" tilting | 3.ii" articulating |
Touchscreen | Yes | Yes | No | No | No |
Built-in flash | No | No | Yeah | No | No |
Flash sync | 1/180 sec | 1/200 sec | 1/200 sec | 1/250 sec | 1/200 sec |
Flare-up rate (w/AF) | 6.v fps | vii fps | 6.5 fps | 5 fps | 4.4 fps |
Video | 1080/60p | 4K/30p | 1080/60p | 1080/60p | 1080/30p |
Wireless | Wi-Fi w/NFC & BT | Wi-Fi westward/NFC | Wi-Fi | Wi-Fi westward/NFC | Wi-Fi |
Battery life | 1200 shots | 900 shots | 1230 shots | 350 shots | 760 shots |
MSRP (every bit of July 2017) | $1999 | $3499 | $1999 | $1548 | $1800 |
While at first glance, it'southward apparent that the 6D Mark II is at least competitive with challengers from Nikon and Sony, information technology should be noted that both the D750 and a7 II have been on the market place for some time, and frankly, are due for an upgrade. For stills shooters, the Pentax Chiliad-1 is in a somewhat different league, offering much higher resolution and build quality, but with a more limited lens ecosystem than y'all get with the Canon EF mountain.
Only neither of those other systems feature Dual Pixel AF, which we've found in other Canons to be a revelation for those that shoot video or stills in Live View, even occasionally. Nosotros've said previously that Dual Pixel makes for one of the all-time Live View experiences on the market, even though it's an 'onetime-school' DSLR. So permit's see how the 6D Mark Ii stacks up.
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Source: https://www.dpreview.com/reviews/canon-eos-6d-mark-ii-review
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